DAROCA
SANTA MARÍA DE LOS SAGRADOS CORPORALES
Heredia, Bruna, Menalt, Cabanilles, Anonymus
Interpret: Albert Bolliger
Super Audio CD
1 CD, illustriertes Booklet (32 Seiten, dt, fr., engl.)
Sinus 4008
1 | Sebastián Aguilera de Heredia | (1561–1627) | Tiento de Batalla de 8° tono | 5.18 |
2 | Sebastián Aguilera de Heredia | (1561–1627) | Falsas de 6° tono | 1.59 |
3 | Sebastián Aguilera de Heredia | (1561–1627) | Salve de 1° tono | 3.36 |
4 | Sebastián Aguilera de Heredia | (1561–1627) | Primer Registro bajo de 1° tono | 4.39 |
5 | Anonymus (Martín y Coll) | (1650–1734) | Obra de 6° tono | 2.08 |
6 | Anonymus | Galharda de 1° tono | 1.22 | |
7 | Pablo Bruna | (1611–1679) | Tiento de falsas de 6° tono | 2.18 |
8 | Pablo Bruna | (1611–1679) | Pange lingua de 5° tono | 1.42 |
9 | Pablo Bruna | (1611–1679) | Tiento de 1° tono de mano derecha | 4.55 |
10 | Pablo Bruna | (1611–1679) | Tiento de dos tiples de 6° tono | 5.27 |
11 | Gabriel Menalt | (1657–1712) | Tiento de falsas de 6° tono | 2.54 |
12 | Anonymus (Martín y Coll) | (1650–1734) | Alamanda | 1.45 |
13 | Anonymus (Martín y Coll) | (1650–1734) | Zarabanda | 2.30 |
14 | Juan Cabanilles | (1644–1712) | Tiento (30) de 1° tono | 2.25 |
15 | Juan Cabanilles | (1644–1712) | Corrente italiana | 4.48 |
16 | Juan Cabanilles | (1644–1712) | Pasacalles IV | 2.20 |
17 | Anonymus (Martín y Coll) | (1650–1734) | Las Vacas | 1.38 |
18 | Anonymus (Martín y Coll) | (1650–1734) | Un Aire alegre | 0.54 |
19 | Anonymus (Martín y Coll) | (1650–1734) | Batalla de 5° tono | 9.12 |
61.26 |
»A usual the full specifications of the organ are given in a convenient way in the booklet, and each track carries a handy list of its registrations used by Bolliger … I wholeheartedly commend this SA-CD, where Bolliger displays his talent not just in characterising each piece so well, but exploiting just about all that the organ hast o offer in ist palette.«
SA-CD.net
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